Literature series
Literature series
Literature series
Literature series
Literature series
Literature series
Literature series
Literature series
Nicolas Bouvier drove through Asia in an old car from 1953 to 1957. His account of this intrepid journey still holds fascination today.
Two Swiss had the good fortune to own a Topolino – that iconic, diminutive, poetically named “little mouse” manufactured by Fiat from 1936 to 1955: Migros founder Gottlieb Duttweiler (1888–1962), who somehow managed to squeeze his ample frame into the tiny car that is currently exhibited at the Swiss Museum of Transport in Lucerne; and Nicolas Bouvier (born on 6 March 1929 in Grand-Lancy near Geneva; died on 17 February 1998 in Geneva), who set out in his Topolino in summer 1953 with artist friend Thierry Vernet on an overland journey to Asia, inquisitive and open to the unanticipated adventures and the illumination and self-discovery that lay ahead.
They were an idle pair who had two years to play with, enough money to last four months, and an itinerary that took in Turkey, Iran, India and Japan. They would see deserts, mountain passes, cities, and bustling markets, as well as nature in its unrelenting beauty. Bouvier had already visited Lapland, North Africa and the Balkans. But now he was entering the unknown with a fresh outlook and an open-heartedness towards people and things – an attitude unique to someone who believed that the act of travel was “irresistibly effortless, providing a slow but sure introduction to transparency and overcoming one’s self”.
Bouvier recounts the first stage of their journey, from Belgrade to Kabul, in his 1963 book “The Way of the World”. To cover the costs of the journey, Vernet sold his paintings and Bouvier wrote newspaper articles. The inimitable way in which Bouvier describes their adventures is evident for the first time in this book. Exceptional in his tone, choice of words, and narrative rhythm, Bouvier consistently gets to the heart of the matter, from people to places, always endeavouring to add a human touch to an intrinsically inhuman world. And Bouvier introduces us not only to faraway places, but also to the inner workings of his mind – one that is imbued with subtle emotions and considerable knowledge.
The two friends parted ways on the road after one and a half years, and Bouvier subsequently continued on his own via India to China and then onwards to Ceylon (now Sri Lanka), where he remained for nine months. In “The Scorpion-Fish”, Bouvier described in 1982 how Ceylon’s hot, humid climate sapped his energy – but also how his senses were sharpened while documenting both the insects and the shady localities of this fascinating, frightening island. He left Ceylon in October 1955 and took a French steamboat to Japan, where he stayed for a year, compiling the material that he would share in his 1970 book “The Japanese Chronicles”.
Back in Europe, where in 1958 he married Eliane Petitpierre – the daughter of a Federal Councillor – and soon became the father of two children, Bouvier needed years to put the fruitful experiences of his four-year trip into writing. The author, who wrestled with every word and was a stickler for accuracy, soon went through a deep, personal crisis that plunged him into despair and alcoholism – an episode that found expression in his 1982 book of poems “Le Dehors et le Dedans” (Inside and outside). But it was precisely by recalling the distant memory of his time in faraway countries that he managed to pull himself out of the abyss. For many, Bouvier’s singular relationship with far-flung localities made him a credible decipherer of the human condition and an utterly unique travel writer.
From 1963, Bouvier produced a flurry of works reminiscing on his extensive travels between 1953 and 1957. But he also covered subsequent visits to Japan, Korea and China, as well as producing a notable, vivid account of his time on the Aran Islands off the west coast of Ireland. Even after his death in 1998, Bouvier – whose mantra was “savour the sweetness of life and the art of living, as if today were your last” – has continued to inspire people around the world to travel with inquisitive, open eyes and treat the unknown with love and respect. Translated into all the main languages, his books have lost none of their magic, not least in this era of mass tourism.
Many of Nicolas Bouvier’s books are available in French, German and English.
“You do not travel to decorate yourself with exoticism and anecdotes, like a Christmas tree, but for the journey to pluck you, rinse you, wring you out, and hand you back like one of those towels worn out by washes that you’re given with a dash of soap in the brothels.”
(Nicolas Bouvier, “Le Poisson-scorpion” [The Scorpion Fish], Éditions Gallimard, Paris 1996)
Comments
Comments :
A relire en effet et merci pour ce bel article.
Un écrivain qu´on a envie de lire. Pouvez-vous nous donner les adresses oú on peut se procurer ces livres ?
Bonjour, Vous pouvez trouver ses livres, et en particulier le merveilleux "Usage du monde", ou le commander dans n'importe quelle librairie francophone, de Suisse ou de France. Ou bien le recevoir à Bogota, grâce à internet, je suppose.
J'ai eu moi-même l'occasion de voyager de France jusqu'en Chine à pied et de publier un récit de voyage accompagné de photographies, et Nicolas Bouvier, restera pour moi un maître a jamais inégalable. Ses descriptions de personnes et de lieux, son choix minutieux des adjectifs, ses métaphores, ses images qu'il dessine avec des mots, sa philosophie et ses réflexions sur l'existence constituent en tout point un régal.
Et si vous aimez le Japon, après "l'Usage du monde", lisez ses "Chroniques japonaises". Ensuite, vous aurez certainement envie de passer à l'ouvrage suivant. Bonne route !